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By the turn of the century, inner city Sydney was home to any number of oyster bars, fish restaurants and refreshment rooms.

Greek & Australian Food Taste Test LIVESTREAM

Those seeking to establish independent enterprises of their own were forced to look further afield. The country towns of New South Wales and southern Queensland embraced these culinary concerns that offered an extensive and affordable array of food, beverages and confectionary to satisfy every pocket. Like countless immigrants before them who ventured into rural Australia in search of opportunity, the young Aroney, Feros and Psaltis chose Bingara as the town where they hoped to make their fortune. During this time of terrible hardship, the food trades were more resilient.

The enhancements the partners would make to their business would prove to be no ordinary undertaking.

Migrants in their Homes

Bingara, with a population of around 1, at the time, would be invited to share their aspirations which knew no bounds in terms of majestic beauty and modernity. Their impact on cinema ownership in NSW was immense. Opening in , Bingara Moving Pictures presented the town with silent films accompanied by a pianist. Twice a week, patrons would enter the galvanized iron theatre to take their seats on wooden planks on the gravel floor, or on the dearer seats at the back built up on tiers.

Local businessman, Victor Reginald Peacocke, was the presenter of the cinema he named the Regent Theatre. In , around the time that Peacocke introduced Bingara to the first talkie pictures ever seen, Bingara Moving Pictures was consumed by fire and burnt to the ground. The auditorium would be feet long from the rear wall to the stage and 40 feet wide, with a drop from ceiling to floor of 24 feet.

There would be steps in the vestibule area to gain height; this would allow the floor of the auditorium to slope down towards the screen and provide every patron with a good view. The sloping section of the floor would have seating for customers and the level section closer to the screen would accommodate another The level area was designed so that the seats could be removed, revealing a large dance floor made of beautifully joined timbers cut from the cypress pine forests of the north-west.

In a letter to his local Member of Parliament, he painted a scene of Greek standover men running amok in quiet little Bingara. The pages of the Bingara Advocate provide fascinating documentation as they provide an invaluable record of the films that were screened, including the cartoons and the clubs that they formed. They also allow us to experience first-hand the unfolding battle between the two cinemas as it is played out amongst its pages.

Accordingly, The Roxy is forced to do the same.


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Even the spectacle of George Psaltis in a dress and wig full of Shirley Temple curls was not enough. Intense competition led to various promotional ruses. Peacock continued to make improvements to his Regent Theatre such as upgrading his sound equipment that became far superior to that of The Roxy. His greatest innovation however, was the opening of the outdoor picture gardens. This would be accomplished by building a projection box on the existing rear wall of the theatre while mounting the projectors on swivels. The audience, in their canvas seats, could then enjoy screenings under the stars in the area located directly behind the theatre.

There were many debts to cover the vast expense of building The Roxy and in September the three partners signed for bankruptcy. They had lost everything they had worked for since coming to Australia. He was eventually joined by his wife and remaining children in Murtoa where he would live out his days. Emanuel Aroney remained in Bingara where he was joined by his two sons.

From all accounts, it appears that George Psaltis was more inclined to entrepreneurial flights of fancy than his two partners. It may well have been his vision to build The Roxy Theatre, and it is likely that he was the driving force behind it. He was not an astute businessman however, and his vision may not have been shared by his partners. The Roxy Theatre operated as a cinema until when it shut down. Apart from the occasional films screening, odd boxing match or roller disco, it would spend the next forty years virtually lying dormant.

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A new generation was growing up in the town having never stepped foot inside it. Since it has housed the Bingara Civic Centre. It then fulfilled a rightful obligation to every small town when it masqueraded as a Chinese Restaurant for twenty years before being purchased by the Gwydir Shire Council in The Bingara Council purchased the building in and once it had been successful in obtaining both state and federal funding, set about faithfully restoring it to its former glory.


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While the story ended sadly for our Greek founders, it has ended triumphantly for us. The Roxy stands in its original state, as testimony to the legacy of what the three partners have left behind. The Roxy officially reopened its doors in It is owned by the Gwydir Shire Council and operates as a multipurpose cinema, performing arts venue and function centre that includes a variety of conferences, seminars, weddings and private functions. It also houses the Bingara Tourist Information Centre and is open to the general public for tours.

Roxy Theatre and Peters Greek Cafe Complex

Above all, it belongs to the community and is accessed by the community for numerous events and activities. Cultural activity plays a vital role in our lives, particularly for those who live in more remote, isolated communities. Through theatre, music, dance, we are able to reflect the social and economic challenges that surround us. Good condition. Some silverfishing inside back cover. ISBN: Pictures available on request. More information about this seller Contact this seller 2. Published by The Author Sydney About this Item: The Author Sydney , More information about this seller Contact this seller 3.

Published by Plateia Condition: Brand New. In Stock.

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More information about this seller Contact this seller 4. Published by Plateia, Australia About this Item: Plateia, Australia, Soft cover. Condition: Good. Pictorial soft covers with lettering on the spine.

A little rubbed at the edges. Head and tail of spine worn and slightly bumped. Page edges are mildly discoloured-- mostly at the head edge. Fore edge bears a small red stain. Binding is neat and tidy, this book is in good condition. Inscribed by Author s. Seller Inventory HIS More information about this seller Contact this seller 5. First - may be Reissue.

Ships with Tracking Number! May not contain Access Codes or Supplements. May be ex-library. Buy with confidence, excellent customer service!. More information about this seller Contact this seller 6. Condition: New Book from Publisher. First Edition. Peter Prineas' s spirited account of migrants building small empires of cafes and cinemas is also tinged with the loneliness and isolation they experienced in xenophobic bush towns. Most of all, however, I was struck by the literary quality of the book, which is far superior to almost all works of this type that I have read.

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More information about this seller Contact this seller 7. More information about this seller Contact this seller 8. More information about this seller Contact this seller 9. More information about this seller Contact this seller Published by Sydney, Kalianna Press, About this Item: Sydney, Kalianna Press,